![]() Using unfathomable horrors from the real world as a grounded backdrop for occasionally fantastical genre pieces is a well-established minefield. ![]() As the recent kerfuffle involving a producer of Apple TV+’s Emancipationbringing an 1863 photograph of a horrifyingly abused slave to a red-carpet premiere reminded us, trauma is not a thing to be treated glibly, regardless of intent. ![]()
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